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MISCELLANEOUS

 

Studying and conceptualizing material before executing the pedagogy is an important step in preparing for instruction. With the "Choral Anthology" assignment, I chose 12 choral pieces suitable for a high school choral group and justified why they are good-quality repertoire. It is important not to have students singing repertoire that is poor in quality - this would be like letting a child eat nothing, but junk food!

 

I did not, however, assess for learning challenges/opportunities in the repertoire for the "Choral Anthology." That is what is accomplished with the other document. For the "Elementary Choral Repertoire Analysis," I looked at elementary-level choral repertoire and determined what challenges exist in the music, and furthermore how those challenges can become opportunities for the students to grow musically when they rehearse it. 

Vocal Pyramid

While the "Vocal Pyramid Lesson Plan" for a middle school choral ensemble on the "LESSON PLANS" subpage makes reference to a vocal pyramid, that vocal pyramid was the one used by that particular professor. I typically swear by a slightly different one which I learned first and that is attached herein. 

 

 

 

 

 

 

 

 

Musical Alphabet

This is an activity I designed for the music-themed week of the summer camp that I counseled, the plan for which can be found under the "LESSON PLANS (cont.)" subpage. I crafted an alphabet which incorporates different symbols of music notation. The students were asked to write their names on a large piece of poster paper using this "Musical Alphabet" and then decorate as it as they saw fit! This activity went over very well with the students, who were intrigued by the alphabet and eager to produce their own, personal, "Musical Name." I also provided them with posters showing each musical notation symbol, itself, and the letters that it was a part of. This helped them to draw connections between music notation, itself, and the Musical Alphabet. If I should ever teach general music, the Musical Alphabet can be posted around the upper perimeter of my future classroom and used repeatedly and for various activities, depending on the grade level. In the first of the two lesson plans under "Inclusive Strategies for the Music Classroom" in the "LESSON PLANS (cont.)" subpage, I incorporated the Musical Alphabet in a general music classroom as a way to help a student with disabilities and his/her peers develop the ability to write musical notation. 

The conceptualization and design of the ideal curriculum or program is important for any teacher in long-term planning and moving forward. This PowerPoint outlines what I consider my ideal high school choral program to look like and what I might work toward over a period of time depending on the circumstances. 

Presentation on Gifted Students in the Music Classroom

Research is important in the teaching profession for professionals interested in developing themselves and utilizing new methods. With this presentation, I gathered current research and ideas on the topics of gifted students and how they function/can be accommodated in the music classroom. I presented this to the music education department at Duquesne on January 13th, 2014. This was a volunteer endeavor that received high praise from peers and professionals. The PowerPoint and a video of the presentation, itself, are both embedded here. 

I became a member of Mu Phi Epsilon, the international professional music fraternity, in April of 2013 and served as Vice-President of Duquesne's Chapter (Epsilon Upsilon) during the 2015 calendar year. The Triangle is Mu Phi Epsilon's quarterly publication - attached is the Winter 2015 edition. On page 20, please find an original article on the Duquesne Chapter and its activities!

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