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STUDENT TEACHING

Below please find a brief overview of my student teaching experiences. More information on these can be found in my physical student teaching portfolios (one for each placement).  

Placement One - September 8th, 2015-October 23rd, 2015
Bethel Park High School, Bethel Park, PA - 9-12 Choir

While this placement technically only ran for the seven weeks listed above, I made a point of being present for the two weeks prior to observe the beginning of the school year as well as participate in the holiday concert the following December. Bethel Park was an eye-opening experience in working with a program/director that prioritizes both skill-building and performance practice, not one over the other. While the rehearsal procedures and preparation of repertoire occur at a high standard of excellence, also important to this program is the acquisition of solfège proficiency and various other forms of written and aural musicianship/theory. I began by teaching warm-ups and vocal technique, then slowly branched into helping with the theory activities. Eventually I was running entire rehearsals, teaching repertoire first with solfège and then with text. This all helped me to gain a sense of how I could become a teacher who prioritizes both performance-readiness and raw musical skills. While completing this placement, I earned 12/12 points on the Pennsylvania Department of Education Form 430. 

Above are several lesson plans to represent my time at Bethel Park. I was not locked into a specific lesson plan format for either student teaching placement. As someone who tends to compartmentalize information, I found this grid format effective.

 

Both instructional days represented here were days when I taught everything in my cooperating teacher's absense. The September 21st lesson plans reflect a balance between still solfèging some repertoire for pitch accuracy, but also working with text and more expressive elements on some other more secure repertoire. The October 21st lesson plans reflect more of the latter, given that they are from later in the year. In addition, one will find that the October 21st lesson plans include some more advanced theoretical and technical concepts in the warm-up and musicianship/theory procedures. 

 

For each ensemble during each week, I also produced a separate grid to show only the "Procedure" for each day. While the full lesson plans above include all of the necessary details for effective planning, it was good to also have a document just with procedures to easily reference and follow chronologically when necessary. 

 

Note that Girls' Choir includes 9th and 10th grade girls (meeting seperately), Concert Choir includes 11th and 12th grade girls and 9-12 boys, and Top 21 includes 11th and 12th grade girls and 10-12 boys by audition. Students must be in Concert Choir in order to participate in Top 21. The two separate Girls' Choir sections, two sections of Concert Choir, and Top 21 constituted five teaching periods per day in addition to various other duties. 

Daily reflection was an integral part of both of my student teaching placements at Duquesne. Above please find my reflections for the week of October 5th, which include a balance of reflection on successes and reflection on improvements to be made. 

Video Reflection #1

A video of myself teaching Top 21 on October 9th, 2015, with an accompanying reflection. 

Video Reflection #2

A video of myself teaching Top 21 on October 16th, 2015, with an accompanying reflection. 

Placement Two - October 26th, 2015-December 11th, 2015

Hampton Township School District, Allison Park, PA - Primarily 4-5 Band

This placement was an exercise in finding the balance between keeping pacing brisk so as to use wisely the little time at hand, while also not reinforcing poor technique by letting it go in order to move on. Deciding in the moment how to proceed to maintain this balance was quite a challenge - this was a point of growth for me through the placement, but is also a goal for continued growth in the future. Additionally, my time at Hampton was a learning experience in technical instruction and considerations for band instruments, especially for someone like myself, who is not primarily a band musician. As at Bethel Park, both skill-building and performance-readiness are emphasized in this program. Emphasizing both is a must at the elementary level - the students cannot be allowed to develop bad technical habits early on, but also must be made to have a positive experience with their first few concerts so that they keep playing. While the bulk of my cooperating teacher's job was instructing 4th and 5th grade band at 2 of the 3 elementary schools in the district, we also co-taught at the middle school level one day per week, and taught a high school percussion ensemble one period per week. Both of the latter two experiences gave me a sense of how to work effectively with older instrumentalists. Despite the fact that this placement was a greater step out of my comfort zone, not being a band expert, I feel it was a significant growing experience and was proud to earn 12 out of 12 points on the Pennsylvania Department of Education Form 430. Furthermore, though the placement only technically ran through December 11th, I stayed in the area to continue attending some rehearsals and see the students through their holiday performances. 

Above please find my reflections for the week of November 9th, which include some reflection on being put in new teaching situations, but also some reflection on generally getting used to the day-to-day grind and schedule of the placement after three weeks.

Video Reflection

Above are several lesson plans to represent my time at Hampton. Lesson planning occurred only weekly, as Hampton's elementary band lesson schedule runs on a rotation where every lesson group has band lessons once a week for 30 minutes. That said, my cooperating teacher and I taught the same lesson repeatedly, just for different groups, over the course of the week, both for fourth grade and for fifth grade. The lesson plans attached for those groups include a mixture of various warm-up activities, some method book work, and some repertoire rehearsal. Warm-ups were usually planned so that they incorporated concepts from the repertoire. One can also note that these plans include a mixture of repertoire rehearsal strategies - in some, problem spots are anticipated and addressed early on; in others, problem spots may still be anticipated by me in planning, but are only addressed when/if they occur in context. I found that I developed my skills for rehearsing in both ways through this placement, as well as gained a sense of the appropriate times to implement each one. I enjoyed the opportunity to warm up the middle school bands and rehearse the high school percussion ensemble, once each, during this placement. I have included my plans for both of those experiences. Also included is a separate snare drum warm-up lesson plan. Percussion lessons included a mixture of battery, accessory, and mallet percussion work - separate/additional planning was often necessary. 

A video of myself teaching 4th Grade Trombones on December 7th, 2015, with an accompanying reflection. 

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